Gemblak stereotype film “kucumbu tubuh indahku” by Garin Nugroho
DOI:
https://doi.org/10.12928/commicast.v3i2.5734Keywords:
Film , Reyog , Culture , Framing , StereotypeAbstract
Film is one of the electronic media that has a huge appeal among the public. Films also play an active role in conveying messages or information, but with very neat packaging. Make the message or information more interesting and entertain the audience. Based on this, many films always contain events or phenomena, one of which is the film "A Memories of My Body". Where this film tells the story of LGBT people and is associated with ancient culture, namely the Lengger and Gemblak dances, this paper aims to find out the analysis of William Gamson and Andre Modigliani's framing of the Gemblak stereotype in the film "A Memories of My Body," which was made by Garin Nugroho and released on April 18, 2019. The theory used is framing analysis from William Gamson and André Modigliani. The methodology used in this research is descriptive qualitative. The data analysis technique uses the Umberto Eco concept by determining the framing device (metaphor, exemplar, catchphrase, depiction, visual image). ) and tools of reasoning (roots, principle of appeal, consequences).The results show that in the film "A Memoir of My Body" by Garin Nugroho there is a depiction of Gemblak as a sexual deviation and feminism, which can lead to public opinion.
References
Alola, M. I., & Alola, U. V. (2020). Gender stereotypes in Nigerian films as a portrayal of the African womanhood: A feminist perspective. Journal of Labor and Society, 23(2). https://doi.org/10.1111/wusa.12465
Amalia, H. (2020). The representation of Alistair Maclean’s life as reflected in south by Java Head: a biographical study. Commicast, 1(2), 49. https://doi.org/10.12928/commicast.v1i2.2730
Amil, A. J. (2020). THEATER PERFORMANCE ANALYSIS FORBIDDEN FROM SINGING IN BATH ROOM BY SENO GUMIRA AJIDARMA THEATER HAD STUDY PROGRAM IN INDONESIAN LANGUAGE AND LITERATURE EDUCATION TRUNOJOYO MADURA UNIVERSITY (CARLES SANDERS PEARCE SEMIOTIC STUDY). Prosodi, 14(2). https://doi.org/10.21107/prosodi.v14i2.8803
Anggraeni, P. N., & Utowo, A. P. Y. (2021). Analisis Tindak Tutur Ekspresif Dilan dalam Film Dilan 1990. Logat, 8(1).
Ayunda, F. B., & Megantari, K. (2021). Analisis manajemen event Reyog Jazz sebagai salah satu strategi komunikasi pemasaran budaya dan wisata Kabupaten Ponorogo. Commicast, 2(2), 81. https://doi.org/10.12928/commicast.v2i2.3347
Baumrin, B. (2012). Divorce. In Encyclopedia of Applied Ethics. https://doi.org/10.1016/B978-0-12-373932-2.00256-8
Bennett, W. L., & Entman, R. M. (2001). Communication in the future of democracy: A conclusion. In Mediated politics.Communication in the future of democracy.
Berg, C. R. (2021). TWO. STEREOTYPES IN FILM. In Latino Images in Film. https://doi.org/10.7560/709065-004
Bonifazio, P. (2018). Film Catalogues. In Schooling in Modernity. https://doi.org/10.3138/9781442669475-013
Bruno, L. (2019). Tinjaun Pustaka Pengertian Film. Journal of Chemical Information and Modeling.
Budiwan, J. (2021). An alternative character education of “Warok” for the family: A local wisdom of Ponorogo community. International Journal of Educational Studies in Social Sciences (IJESSS), 1(2). https://doi.org/10.53402/ijesss.v1i2.12
Creswell, J. W., & Creswell, J. D. (2018). Research Design: Qualitative, Quantitative, and Mixed Methods Approaches - John W. Creswell, J. David Creswell - Google Books. In SAGE Publications, Inc.
Danesi, M. (2018). Understanding Media Semiotics. In Understanding Media Semiotics. https://doi.org/10.5040/9781350064201
Drs. Alex Sobur, M. S. (2018). Analisis Teks Media. In Suatu Pengantar untuk Analisis Wacana, Analisis Semiotik, dan Analisis Framing.
Fadillah, D., Nuryana, Z., Sahuddin, M., & Hao, D. (2019). International-Cultural Communication of the Saman Dance Performance by Indonesian Students in Nanjing. International Journal of Visual and Performing Arts, 1(2). https://doi.org/10.31763/viperarts.v1i2.70
Fojas, C. (2018). RACIAL BEING, AFFECT AND MEDIA CULTURES. In The Anthem Handbook of Screen Theory. https://doi.org/10.2307/j.ctv43vr5c.8
Fry, P. H. (2012). Theory of literature. In Theory of Literature. https://doi.org/10.2307/585969
Gamson, W. A. (1989). News as Framing: Comments on Graber. American Behavioral Scientist. https://doi.org/10.1177/0002764289033002006
Gosling, C. J., & Moutier, S. (2019). Is the framing effect a framing affect? Quarterly Journal of Experimental Psychology, 72(6). https://doi.org/10.1177/1747021818796016
Grindstaff, L. (2006). Framing Class: Media Representations of Wealth and Poverty in America. Contemporary Sociology: A Journal of Reviews. https://doi.org/10.1177/009430610603500526
Hartono, Cahyono, A., & Kusumastuti, E. (2021). Warok dance: A medium of child aesthetic fulfillment. International Journal of Human Movement and Sports Sciences, 9(2). https://doi.org/10.13189/saj.2021.090212
Horbinski, A. (2019). Convergence Culture. In The Blackwell Encyclopedia of Sociology. https://doi.org/10.1002/9781405165518.wbeos1270
Krismawati, N. U., Warto, W., & Suryani, N. (2018). Eksistensi Warok Dan Gemblak di tengah Masyarakat Muslim Ponorogo Tahun 1960-1980. Religió: Jurnal Studi Agama-Agama, 8(1). https://doi.org/10.15642/religio.v8i1.747
Kriyantono, R. (2006). Teknik Praktis Riset komunikasi - Rachmat Kriyantono, S.Sos., M.Si - Google Books. Kencana Prenada Media Group.
Logie, C. H., Perez-Brumer, A., Mothopeng, T., Latif, M., Ranotsi, A., & Baral, S. D. (2020). Conceptualizing LGBT Stigma and Associated HIV Vulnerabilities Among LGBT Persons in Lesotho. AIDS and Behavior, 24(12). https://doi.org/10.1007/s10461-020-02917-y
McQuail, D., & Windahl, S. (2015). Communication models: For the study of mass communications, second edition. In Communication Models for the Study of Mass Communications, Second Edition. https://doi.org/10.4324/9781315846378
Miranda, J., Navarrete, C., Noguez, J., Molina-Espinosa, J. M., Ramírez-Montoya, M. S., Navarro-Tuch, S. A., Bustamante-Bello, M. R., Rosas-Fernández, J. B., & Molina, A. (2021). The core components of education 4.0 in higher education: Three case studies in engineering education. Computers and Electrical Engineering, 93. https://doi.org/10.1016/j.compeleceng.2021.107278
Moufakkir, O. (2013). Culture shock, what culture shock? Conceptualizing culture unrest in intercultural tourism and assessing its effect on touristsâ€TM perceptions and travel propensity. Tourist Studies, 13(3). https://doi.org/10.1177/1468797613498166
Ningrum, E. S., & Kusnarto, K. (2021). Fenomena Stay at Home Dad dalam Film The Intern (Analisis Framing Robert N Entman). ETTISAL : Journal of Communication, 6(1). https://doi.org/10.21111/ejoc.v6i1.6023
Park, H., & Cho, H. (2021). Effects of Nursing Education Using Films on Perception of Nursing, Satisfaction with Major, and Professional Nursing Values. Journal of Nursing Research, 29(3). https://doi.org/10.1097/JNR.0000000000000433
Polletta, F., & Ho, M. K. (2006). Frames and Their Consequences. In The Oxford Handbook of Contextual Political Analysis. https://doi.org/10.1093/oxfordhb/9780199270439.003.0010
Pressler, E. (2019). Hispanic Stereotypes in Contemporary Film. University Honors Program Theses.
Ramadhan, Y. Z. (2019). Gender Stereotypes in Moana (2016): A Film Analysis of The Main Character. Passage, 7(1).
Servaes, J. (2020). Handbook of communication for development and social change. In Handbook of Communication for Development and Social Change. https://doi.org/10.1007/978-981-15-2014-3
Shostak, A. (2017). Framing Film: Cinema and the Visual Arts. The European Legacy, 22(4). https://doi.org/10.1080/10848770.2017.1291894
Stephen W. Littlejohn, Foss, K. A., & Oetzel, J. G. (2012). THEORIES OF HUMAN COMMUNICATION Eleventh Edition. In Waveland Press, Inc. (Vol. 53, Issue 95). https://doi.org/10.1017/CBO9781107415324.004
Stoddard, J., Marcus, A., & Hicks, D. (2017). Teaching Difficult History through Film. In Teaching Difficult History through Film. https://doi.org/10.4324/9781315640877
Stover, J. A. (2013). Framing Social Movements Through Documentary Films. Contexts, 12(4). https://doi.org/10.1177/1536504213511218
Sulton, A., & Utaminingsih, A. (2017). Teater Rakyat Gemblak: Mulai dari Hiburan hingga Unsur Nasionalisme. Anthropos: Jurnal Antropologi Sosial Dan Budaya (Journal of Social and Cultural Anthropology), 3(2). https://doi.org/10.24114/antro.v3i2.8308
Sungkowati, Y. (2010). Dialog Antarteks Toenggoel Dan Ronggeng Dukuh Paruk: Melawan Atau Mengukuhkan Tradisi. Bahasa Dan Seni, 38(1).
Suryandoko, W. (2019). Bentuk Pertunjukan Seni Gemblak Dor di Lamongan. Stilistika: Jurnal Pendidikan Bahasa Dan Sastra, 12(2). https://doi.org/10.30651/st.v12i2.2596
Thayer, L. (2019). Communication. In Evolution-Revolution: Patterns of Development in Nature Society, Man and Knowledge. https://doi.org/10.4324/9780429325359-7
Vitikainen, A. (2020). LGBT rights and refugees: a case for prioritizing LGBT status in refugee admissions. Ethics and Global Politics, 13(1). https://doi.org/10.1080/16544951.2020.1735015
Wadud, M. (2021). Book Review: McQuail’s media & mass communication theory. Electronic News, 15(1–2). https://doi.org/10.1177/19312431211019780
Wahyu Wiranata, A. D., & Nurcahyo, A. (2018). Peranan Gemblak Dalam Kehidupan Sosial Tokoh Warok Ponorogo. AGASTYA: JURNAL SEJARAH DAN PEMBELAJARANNYA, 8(01). https://doi.org/10.25273/ajsp.v8i01.2036
Walsh, J. (2014). Hallyu as a Government Construct: The Korean Wave in the Context of Economic and Social Development. In The Korean Wave. https://doi.org/10.1057/9781137350282_2
Westall, C. (2021). Migrant Movements and Cricketing Stereotypes. In New Caribbean Studies. https://doi.org/10.1007/978-3-030-65972-1_7
Ye, W., Li, Q., & Yu, S. (2021). Persuasive effects of message framing and narrative format on promoting covid-19 vaccination: A study on chinese college students. International Journal of Environmental Research and Public Health, 18(18). https://doi.org/10.3390/ijerph18189485
Downloads
Published
Issue
Section
License
Copyright (c) 2022 oki cahyo nugroho, Ridwan Yudha Pratama
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read Commicast's Posting Your Article Policy at http://journal2.uad.ac.id/index.php/commicast/about/editorialPolicies#custom-5
- That it is not under consideration for publication elsewhere,
- That its publication has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Commicast agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.Â
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Commicast use a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived inappropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and/or software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g. DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the article with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article, however, the authors should prefer in all cases a deposition in data repositories.
