Representation of violence value in Joker Film

Authors

  • Eva Rosita Communication Science Ahmad Dahlan
  • Gibbran Prathisara Universitas Ahmad Dahlan

DOI:

https://doi.org/10.12928/commicast.v3i1.3409

Keywords:

Representation , Value of violence , Joker Film

Abstract

The Joker film aired in Indonesia on October 2, 2019. This film was widely discussed by the audience and succeeded in bringing the audience into the atmosphere of the film. This is because the problems that are taken often occur in the life of the general public. This film tells the story of Arthur aka Joker, whose life is filled with sadness, cheating, injustice as a lower middle-class citizen so that he is treated inappropriately by society and his family. Everything that happened to him resulted in the victim becoming the perpetrator of violence. Researchers are interested in analyzing the Joker film more deeply, and this is because the shows in the film contain violence that can trigger various physical and mental conditions such as aggressive behaviour, violent behaviour, bullying, fear, depression and nightmares for those who watch it. The purpose of this research is to find out how the representation of violence in the Joker film viewed from the Semiotics of Roland Barths to determine a meaning using the concepts of denotation, connotation, and myths taken from several scenes that represent the value of violence in the Joker film. The findings from the results of this study indicate that there are 16 scenes that present violence. The violence is in the form of physical violence, psychological violence, financial violence, functional violence, and rational violence. The Joker film shows that perpetrators of violence still often occur in life, even victims can become perpetrators of what happened to them. Often times people think this is normal because not everyone understands the importance of humanity and justice for others.

References

Applications, I. T. S. (2016). Theory and Practice Theory and Practice. Journal of Pastoral Care & Counseling.

Cacace, D. (2019). Joke’s on You, Joker is King of the Box Office Right Now. 23 November 2019. https://thebannercsi.com/2019/11/23/jokes-on-you-joker-is-king-of-the-box-office-right-now/

Cangara, H. (2002). Pengantar Ilmu Komunikasi (Cetakan Keempat). In Jakarta: PT Rajagrafindo Persada.

Drs. Alex Sobur, M. S. (2018). Analisis Teks Media. In Suatu Pengantar untuk Analisis Wacana, Analisis Semiotik, dan Analisis Framing.

Effendy, O. U. (1986). Dimensi-dimensi Komunikasi. In Dimensi-dimensi Komunikasi.

Effendy, O. U. (2009). Ilmu Komunikasi, Teori dan Praktek. In Komunikasi dalam sebuah organisasi.

Furman, E. (2018). “Make Up.” In Lou Reed’s Transformer. https://doi.org/10.5040/9781501323089.0015

Handler Miller, C. (2004). Digital Storytelling: A creator’s Guide to Interactive Entertainment. In Elsevier.

Permatasari, S. D. R. (2020). THE ALTRUISTIC SIDE OF ARTHUR FLECK AS THE MAIN CHARACTER IN TODD PHILLIPS’ JOKER (2019). JHSS (JOURNAL OF HUMANITIES AND SOCIAL STUDIES). https://doi.org/10.33751/jhss.v4i1.1906

Pratista, H. (2008). Memahami Film. Memahami Film.

Reza Pahlevi. (2018). Representasi Film IT Karya Stephen King ( Analisis Semioyika Nilai Kekerasan Pada Film IT). JSPUI. http://repositori.umsu.ac.id/xmlui/handle/123456789/11006

Snyder, J. (2005). Audio description: The visual made verbal. International Congress Series. https://doi.org/10.1016/j.ics.2005.05.215

Sobur, A. (2004). Analisis Teks Media: Suatu Pengantar untuk Analisis Wacana. In Analisis Semiotik dan Analisis Framing.

Sugiyono. (2018). Metode Penelitian Kombinasi (mixed Methods). In Alfabet.

Sunarto. (2006). Teknologi Informasi dan Komunikasi. In Buku Materi IT Literacy.

Tyree, J. M. (2009). American heroes. In Film Quarterly. https://doi.org/10.1525/fq.2009.62.3.28

Downloads

Published

2021-11-23

How to Cite

Rosita, E., & Prathisara, G. (2021). Representation of violence value in Joker Film. COMMICAST, 3(1), 92–104. https://doi.org/10.12928/commicast.v3i1.3409

Issue

Section

Articles