An analysis of feminism in the movie "The Hunting Ground" reviewed from the semiotics of John Viske

Authors

  • Rachmi Herdini Fabianti Universitas Ahmad Dahlan
  • Fajar Dwi Putra Universitas Ahmad Dahlan

DOI:

https://doi.org/10.12928/commicast.v2i2.3404

Abstract

The Hunting Ground is a documentary movie which tells about the sexual violence in United States colleges. The story is about the new college students, especially women who became the targets of rape and sexual violence. It is a pity because the colleges always ignore and do not respond the report from the victims. The aim of this study is to determine the representation of feminism in the "The Hunting Ground" movie through John Fiske's semiotics. This research used qualitative method with the semiotics analysis of John Fiske. The Object of this research is the cases of feminism which is contained in this movie with The Codes of Television theory. This theory use three social codes such as reality, representation, and ideology. The result of this research were: First, the forming of feminism meaning in “The Hunting Ground†movie was through dialogues, interviews, narratives, and conflicts which was shown from the process of the survivors' struggle to get their welfare back. Second, the feminism in "The Hunting Ground" movie was shown through the behaviors and attitudes of survivors who dared to oppose their own colleges by filing lawsuits and accusations on the cases which befell the victims. Third, the formation of liberal feminism was a movement which described the situation.

References

Akhyani, I. (2020). Integrated marketing communication “Gadis modis” sebagai usaha mikro kecil dan menengah dalam meningkatkan loyalitas konsumen. COMMICAST, 1(1), 10. https://doi.org/10.12928/commicast.v1i1.2411
Bryson, V. (2019). Feminism. In Contemporary Political Ideologies. https://doi.org/10.4324/9780429038839-9
Fiske, J., & Glynn, K. (1995). Trials of the postmodern. Cultural Studies. https://doi.org/10.1080/09502389500490541
Hawali, B. G. M., & Cyrielle, D. (2020). Review of mass media effect in inter-cultural communication. International Journal of Communication and Society, 2(2), 94–101. https://doi.org/10.31763/ijcs.v2i2.153
Hills, M. (2013). Fiske’s ‘textual productivity’and digital fandom: web 2.0 democratization versus fan distinction. Participations.
Jandevi, U. (2019). New media for increasing political participation in Indonesia. International Journal of Communication and Society, 1(1), 1–8. https://doi.org/10.31763/ijcs.v1i1.19
Jati Kusuma, M. I. (2019). Messages of parents affection for children in the movie bulan terbelah di langit amerika. International Journal of Communication and Society, 1(2), 89–96. https://doi.org/10.31763/ijcs.v1i2.47
Juliano, S. (2015). Jurnal Ilmu Politik dan Komunikasi. Komunikasi Dan Gender : Perbandingan Gaya Komunikasi Dalam Budaya Maskulin Dan Feminim.
Koukounas, E., & McCabe, M. P. (2001). Sexual and emotional variables influencing sexual response to erotica: A psychophysiological investigation. Archives of Sexual Behavior. https://doi.org/10.1023/A:1010261315767
Kriyantono, R. (2006). Teknik Praktis Riset komunikasi - Rachmat Kriyantono, S.Sos., M.Si - Google Books.
Paramitha, A. (2020). Komunikasi efektif komunitas rumah baca dalam meningkatkan minat baca pada anak-anak di dusun Kanoman. COMMICAST, 1(1), 1. https://doi.org/10.12928/commicast.v1i1.2408
Zhao, J., Chen, C., & Zhao, L. (2020). The spread characteristics of music videos relating to COVID-19 in China online video platforms. International Journal of Communication and Society, 2(1), 1–11. https://doi.org/10.31763/ijcs.v2i1.94

Downloads

Published

2021-02-05

Issue

Section

Articles