Black and White Propaganda Triggering the War in Afghanistan
DOI:
https://doi.org/10.12928/notion.v2i2.2862Keywords:
film, Afghanistan war, Propaganda, America, black and whiteAbstract
Lone Survivor Film highlights on the American propaganda in Afghanistan war. In analyzing the topic, the writer has two objectives of the research. They are to analyze the American propaganda in Afghanistan war and to describe the situation of Afghanistan war as reflected in Lone Survivor film. This research is done under an interdisciplinary approach, as it applies American multidisciplinary studies. The writer uses descriptive qualitative method to analyze the data adopted from the scenes and dialogues of the film Lone Survivor. The result of this research is that propaganda in the film Lone Survivor can be classified into black and white propaganda. The black propaganda is shown as American pretends to have noble heart in some scenes in the film, in contrast with the truth that they have hidden agenda. Those are to change the audience’s view about America. The white propaganda in the film is shown when American tries showing to the world that there is some bad fact about Ahmad Shah group. Also there are some interesting situation between American soldiers and Taliban rebels which are found in Lone Survivor film.
References
Kroon, S. & Kurvers, J. (2016). Language use, language attitudes and identity in the East Timorese diaspora in the Netherlands. Journal of Multilingual and Multicultural Development, Vol. 41 (5), p. 444-456. https://doi.org/10.1080/01434632.2019.1657872
Barnes and Nobles. ( 1991). New American Encylopedia. Vol.I, V, XIII. USA. Grolier Incorporated.
Bennett, Tony. (2009). ‘Popular Culture and the Turn to Gramsci’, in Cultural Theory and Popular Culture: A Reader, 4th Ed, edited by John Storey, Harlow: Person Education.
Biddle, P. R. (1966). An Experimental Study of Ethos and Appeal for Overt
Behaviour in Persuasion. Urbana: University of Illinois, Unpublished
doctoral dissertation.
Bogdan, R., and S. Biklen. 1992. Qualitative research in education (2nd ed.). Boston: Allyn & Bacon.
Bogdan, R., and Taylor, S. (1975). Introduction to Qualitative Research methods. New York: John Willey and Sons
Bogatti, Stephen P. (1995). Element of Theoretical Framework. Online.
Bullock, Alan and Trombley, Atephen. (1998). The Harper Dictionary of Modern Thought. USA: Harper
Kafi, Z., & Motallebzadeh, K. (2016). An introduction to sociolinguistics. International Journal of Society, Culture & Language, Vol. 4(2), p. 134-140.
http://www.ijscl.net/article_14429_25be808ac7cd2c02504dc83e945f8909.pdf
Chang, Justin. 2013. The Best Picture: Lone Survivor. Available on: < Creswell, Creswell, J. W., & Poth, C. N. (2016). Qualitative inquiry and research design: Choosing among five approaches. Sage publications. https://www.academia.edu/download/55010759/creswell_Qualitative_Inquiry_2nd_edition.pdf
Eagleton, T. (1983). Literary Theory: An Introduction. Oxford. Blackwell.
Fiske, John. (1989). Understanding Popular Culture. London. Unwin Hyman.
Horn, Peter. (2001). Mass Culture, Popular Culture and Culture Identity. South
Africa: University Of Cape Town, Journal Vol 1.
Horn, Peter. (2001). Mass Culture, Popular Culture and Culture Identity. South Africa: University Of Cape Town, Journal Vol 1.
Jowett, G. & O’Donnell. (2012). Propaganda and Persuasion. 5th Eds. California: SAGE Publication, Inc.
Litowitz, Douglas. 2010. Media/Cultural Studies: Critical Approaches. United States: Peter Lang Publishing.
McDowell, Tremaine. 1948. American Studies. Minneopolis: The University of Minnesota Press. Print.
McDowell, Tremaine. (1969). American Studies. Minneopolis: The University of Minnesota Press. Print.
Rummel, R.J. 1994. Cause and Condition of International Conflict and War. Journal of Understanding Conflict and War: War, Power And Peace. Vol. 4-Chapter 16.
Rummel, R.J. 1975. The Dynamic Psychological Field. Journal of Understanding Conflict and War. Vol. 1-Chapter 1. Beverly Hills, California: Sage Publications.
Silverstein, B., (1987). Toward a Science of Propaganda: Political Psychology, 8
(1), 49-59.
Sklark. (1994). Movie Made America. 171.
Srinati, Dominic. (2003). An Introduction to Theories of Popular Culture. New York: Routledge
Srinati, Dominic. (2004). An Introduction to Theories of Propaganda Culture. 2th. London: EC4P 4EE. Routledge 11 New Fetter Lane.
Storey, John. (2012). Cultural Theory and Popular Culture An Introduction: A Reader, 6th, Harlow: Pearson Education.
Storey, John. (1998). Culture Theory and Popular Culture as Commercial Culture: A Reader, 6th, Prentice: Social Science, 646.
Storey. John. (1993). An Introduction: A Culture Theory and Popular Culture. New York: Harvest Wheat Sheaf.
Strauss, A, and Corbin, J. (1990). Basic of Qualitative Research: Grounded Theory Procedures and Techniques. Newbury Park, CA: Sage Publications, Inc.
Szanto, George H. (1978). Theater & Propaganda. New York: University of Texas Press.
Tapper, Jake. (2014). Real Story Behind 'Lone Survivor'. Available on: Viewed on: [May 28 2017 13:45:31].
Tur, A. P. A. & Sari, F. A. (2019). Reshaping the society face through the culture of horror told in Shirley Jackson’s the lottery. Notion: Journal of Linguistics, Literature, and Culture, Vol. 1(1), May 2019. https://doi.org/10.12928/notion.v1i1.709
Vermeer V.M. (2015). American Propaganda in World War II Movies: The Decline of Idealistic Liberalism in the OWI when Portraying the Japanese Enemy. University of Amsterdam.
Williams, Raymond. 2003. The Analysis of Culture in Cultural Theory and Popular Culture : A Reader, 2nd ed, edited by John Storey, Henel Hempstead : Prentise Hall.
Downloads
Published
Issue
Section
License
Copyright (c) 2020 Martin Asta Evans
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish their articles in NOTION: journal of Linguistics, Literature, and Culture agree to the following terms:
- Authors retain the copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.