Black and White Propaganda Triggering the War in Afghanistan
DOI:
https://doi.org/10.12928/notion.v2i2.2862Keywords:
film, Afghanistan war, Propaganda, America, black and whiteAbstract
Lone Survivor Film highlights on the American propaganda in Afghanistan war. In analyzing the topic, the writer has two objectives of the research. They are to analyze the American propaganda in Afghanistan war and to describe the situation of Afghanistan war as reflected in Lone Survivor film. This research is done under an interdisciplinary approach, as it applies American multidisciplinary studies. The writer uses descriptive qualitative method to analyze the data adopted from the scenes and dialogues of the film Lone Survivor. The result of this research is that propaganda in the film Lone Survivor can be classified into black and white propaganda. The black propaganda is shown as American pretends to have noble heart in some scenes in the film, in contrast with the truth that they have hidden agenda. Those are to change the audience’s view about America. The white propaganda in the film is shown when American tries showing to the world that there is some bad fact about Ahmad Shah group. Also there are some interesting situation between American soldiers and Taliban rebels which are found in Lone Survivor film.
References
Kroon, S. & Kurvers, J. (2016). Language use, language attitudes and identity in the East Timorese diaspora in the Netherlands. Journal of Multilingual and Multicultural Development, Vol. 41 (5), p. 444-456. https://doi.org/10.1080/01434632.2019.1657872
Barnes and Nobles. ( 1991). New American Encylopedia. Vol.I, V, XIII. USA. Grolier Incorporated.
Bennett, Tony. (2009). ‘Popular Culture and the Turn to Gramsci’, in Cultural Theory and Popular Culture: A Reader, 4th Ed, edited by John Storey, Harlow: Person Education.
Biddle, P. R. (1966). An Experimental Study of Ethos and Appeal for Overt
Behaviour in Persuasion. Urbana: University of Illinois, Unpublished
doctoral dissertation.
Bogdan, R., and S. Biklen. 1992. Qualitative research in education (2nd ed.). Boston: Allyn & Bacon.
Bogdan, R., and Taylor, S. (1975). Introduction to Qualitative Research methods. New York: John Willey and Sons
Bogatti, Stephen P. (1995). Element of Theoretical Framework. Online.
Bullock, Alan and Trombley, Atephen. (1998). The Harper Dictionary of Modern Thought. USA: Harper
Kafi, Z., & Motallebzadeh, K. (2016). An introduction to sociolinguistics. International Journal of Society, Culture & Language, Vol. 4(2), p. 134-140.
http://www.ijscl.net/article_14429_25be808ac7cd2c02504dc83e945f8909.pdf
Chang, Justin. 2013. The Best Picture: Lone Survivor. Available on: < Creswell, Creswell, J. W., & Poth, C. N. (2016). Qualitative inquiry and research design: Choosing among five approaches. Sage publications. https://www.academia.edu/download/55010759/creswell_Qualitative_Inquiry_2nd_edition.pdf
Eagleton, T. (1983). Literary Theory: An Introduction. Oxford. Blackwell.
Fiske, John. (1989). Understanding Popular Culture. London. Unwin Hyman.
Horn, Peter. (2001). Mass Culture, Popular Culture and Culture Identity. South
Africa: University Of Cape Town, Journal Vol 1.
Horn, Peter. (2001). Mass Culture, Popular Culture and Culture Identity. South Africa: University Of Cape Town, Journal Vol 1.
Jowett, G. & O’Donnell. (2012). Propaganda and Persuasion. 5th Eds. California: SAGE Publication, Inc.
Litowitz, Douglas. 2010. Media/Cultural Studies: Critical Approaches. United States: Peter Lang Publishing.
McDowell, Tremaine. 1948. American Studies. Minneopolis: The University of Minnesota Press. Print.
McDowell, Tremaine. (1969). American Studies. Minneopolis: The University of Minnesota Press. Print.
Rummel, R.J. 1994. Cause and Condition of International Conflict and War. Journal of Understanding Conflict and War: War, Power And Peace. Vol. 4-Chapter 16.
Rummel, R.J. 1975. The Dynamic Psychological Field. Journal of Understanding Conflict and War. Vol. 1-Chapter 1. Beverly Hills, California: Sage Publications.
Silverstein, B., (1987). Toward a Science of Propaganda: Political Psychology, 8
(1), 49-59.
Sklark. (1994). Movie Made America. 171.
Srinati, Dominic. (2003). An Introduction to Theories of Popular Culture. New York: Routledge
Srinati, Dominic. (2004). An Introduction to Theories of Propaganda Culture. 2th. London: EC4P 4EE. Routledge 11 New Fetter Lane.
Storey, John. (2012). Cultural Theory and Popular Culture An Introduction: A Reader, 6th, Harlow: Pearson Education.
Storey, John. (1998). Culture Theory and Popular Culture as Commercial Culture: A Reader, 6th, Prentice: Social Science, 646.
Storey. John. (1993). An Introduction: A Culture Theory and Popular Culture. New York: Harvest Wheat Sheaf.
Strauss, A, and Corbin, J. (1990). Basic of Qualitative Research: Grounded Theory Procedures and Techniques. Newbury Park, CA: Sage Publications, Inc.
Szanto, George H. (1978). Theater & Propaganda. New York: University of Texas Press.
Tapper, Jake. (2014). Real Story Behind 'Lone Survivor'. Available on: Viewed on: [May 28 2017 13:45:31].
Tur, A. P. A. & Sari, F. A. (2019). Reshaping the society face through the culture of horror told in Shirley Jackson’s the lottery. Notion: Journal of Linguistics, Literature, and Culture, Vol. 1(1), May 2019. https://doi.org/10.12928/notion.v1i1.709
Vermeer V.M. (2015). American Propaganda in World War II Movies: The Decline of Idealistic Liberalism in the OWI when Portraying the Japanese Enemy. University of Amsterdam.
Williams, Raymond. 2003. The Analysis of Culture in Cultural Theory and Popular Culture : A Reader, 2nd ed, edited by John Storey, Henel Hempstead : Prentise Hall.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Martin Asta Evans

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
By publishing your research with NOTION: Journal of Linguistics, Literature, and Culture, you agree to a collaborative and open approach to copyright:
-
You Keep the Rights: You retain full copyright of your manuscript. You simply grant our journal the right of first publication. To maximize the reach of your research, your work will be licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). This empowers the global community to read and share your work freely, provided they give proper credit to your authorship and acknowledge NOTION as the original publisher.
-
Freedom to Distribute: You are completely free to enter into separate, non-exclusive agreements to distribute the published version of your article. Whether you wish to archive it in your university's institutional repository or include it as a chapter in a future book, you may do so as long as its initial publication in this journal is properly cited.
-
Boost Your Impact: We actively encourage you to share your pre-publication manuscript online such as on your personal website or an academic repository even before or during the submission process. Proactive sharing fosters valuable scholarly discussions and significantly increases the early visibility and citation potential of your work.



