MIMESIS http://journal2.uad.ac.id/index.php/mimesis <table class="data" style="border-collapse: collapse; width: 100%; height: 162px;" border="1 bgcolor=" width="100%" bgcolor="#5F9EA0"> <tbody> <tr style="height: 18px;"> <td style="height: 18px; width: 20%;" width="20%"><span style="color: #ffffff;">Journal title</span></td> <td style="height: 18px; width: 52.7233%;" width="70%"><span style="color: #ffffff;"><strong>MIMESIS</strong></span></td> <td style="height: 162px; width: 37.2767%;" rowspan="9" valign="top" width="20%"><img src="http://journal2.uad.ac.id/public/site/images/tapriyani/journalthumbnail-en-us-1.jpg" alt="" width="565" height="800" /></td> </tr> <tr style="height: 18px;"> <td style="height: 18px; width: 20%;" width="20%"><span style="color: #ffffff;">Initials</span></td> <td style="height: 18px; width: 52.7233%;" width="70%"><span style="color: #ffffff;"><strong>MIMESIS</strong></span></td> </tr> <tr style="height: 18px;"> <td style="height: 18px; width: 20%;" width="20%"><span style="color: #ffffff;">Abbreviation</span></td> <td style="height: 18px; width: 52.7233%;" width="70%"><span style="color: #ffffff;"><strong>MIMESIS</strong></span></td> </tr> <tr style="height: 18px;"> <td style="height: 18px; width: 20%;" width="20%"><span style="color: #ffffff;">Frequency</span></td> <td style="height: 18px; width: 52.7233%;" width="70%"><span style="color: #ffffff;"><strong>2 issues per year | January and July </strong></span></td> </tr> <tr style="height: 18px;"> <td style="height: 18px; width: 20%;" width="20%"><span style="color: #ffffff;">DOI</span></td> <td style="height: 18px; width: 52.7233%;" width="70%"><span style="color: #ffffff;"><strong>Prefix 10.12928</strong></span></td> </tr> <tr style="height: 18px;"> <td style="height: 18px; width: 20%;" width="20%"><span style="color: #ffffff;">ISSN</span></td> <td style="height: 18px; width: 52.7233%;" width="70%"><span style="color: #ffffff;"><strong><span style="color: #ffcc00;"><a style="color: #ffcc00;" href="http://u.lipi.go.id/1578279098" target="_blank" rel="noopener">2715-744X</a> </span>(printed)/ <span style="color: #ffcc00;"><a style="color: #ffcc00;" href="http://u.lipi.go.id/1580959771" target="_blank" rel="noopener">2721-916X</a></span> (Online)</strong></span></td> </tr> <tr style="height: 18px;"> <td style="height: 18px; width: 20%;" width="20%"><span style="color: #ffffff;">Editor-in-chief</span></td> <td style="height: 18px; width: 52.7233%;" width="70%"><span style="color: #ffffff;"><strong>Tristanti Apriyani</strong></span></td> </tr> <tr style="height: 18px;"> <td style="height: 18px; width: 20%;" width="20%"><span style="color: #ffffff;">Publisher</span></td> <td style="height: 18px; width: 52.7233%;" width="70%"><span style="color: #ffcc00;"><a style="color: #ffcc00;" href="https://uad.ac.id/en/"><strong>Universitas Ahmad Dahlan</strong></a></span></td> </tr> <tr style="height: 18px;"> <td style="height: 18px; width: 20%;" width="20%"><span style="color: #ffffff;">Citation Analysis</span></td> <td style="height: 18px; width: 52.7233%;" width="70%"><span style="color: #ffcc00;"><a style="color: #ffcc00;" href="https://scholar.google.co.id/citations?hl=id&amp;user=03fF-csAAAAJ" target="_blank" rel="noopener"><strong>Google Scholar</strong></a></span></td> </tr> </tbody> </table> <p><strong style="text-align: justify;"><em>Mimesis</em> </strong><span style="text-align: justify;">is academic, open access, and peer-reviewed journal founded and first published in 2020 by the Indonesian Literature Department, Faculty of Culture, Literature, and Communication, Universitas Ahmad Dahlan, Indonesia.</span></p> <div style="text-align: justify;"> <div style="text-align: justify;"> </div> <div style="text-align: justify;">Focusing on culture, language, and literature as it is viewed from the Indonesian perspective, <strong><em>Mimesis</em> </strong>provides a platform for the presentation, analysis, and criticism of provocative work, publishing articles that transcend disciplines and advance the study of humanities.</div> <div style="text-align: justify;"> </div> <div style="text-align: justify;">Issues are published two times per year (in January and July) and all articles are published exclusively in Bahasa and English. Submissions are open year-round. However, before submitting, please ensure that the manuscript fits within <em>Mimesis</em> focus and scope, and is written in English, and follows our author guidelines. Please note that only research articles or book reviews are accepted.</div> </div> <div style="text-align: justify;"> </div> en-US <p><strong>License and Copyright Agreement</strong></p> <p>In submitting the manuscript to the journal, the authors certify that:</p> <ul> <li>They are authorized by their co-authors to enter into these arrangements.</li> <li>The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal.</li> <li>That it is not under consideration for publication elsewhere,</li> <li>That its publication has been approved by all the author(s) and by the responsible authorities tacitly or explicitly of the institutes where the work has been carried out.</li> <li>They secure the right to reproduce any material that has already been published or copyrighted elsewhere.</li> <li>They agree to the following license and copyright agreement.</li> </ul> <p><strong>Copyright</strong></p> <p>Authors who publish with <em>Mimesis</em> agree to the following terms:</p> <ol start="1"> <li>Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a <a href="http://creativecommons.org/licenses/by-sa/4.0/" target="_blank" rel="noopener">Creative Commons Attribution License (CC BY-SA 4.0)</a> that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.</li> <li>Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.</li> <li>Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.</li> </ol> tristanti.apriyani@idlitera.uad.ac.id (Tristanti Apriyani) laga.adhidharma@idlitera.uad.ac.id (Laga Adhi Dharma) Wed, 31 Jan 2024 00:00:00 +0000 OJS 3.2.1.4 http://blogs.law.harvard.edu/tech/rss 60 Eksistensi Kematian sebagai Akhir: Thanatos dan Eros dalam Ziarah Karya Iwan Simatupang (Perspektif Psikoanalisis Freudian) http://journal2.uad.ac.id/index.php/mimesis/article/view/7799 <p style="font-weight: 400;"><em>This article explores personality dynamics in Indonesian literature by taking the theme of death in the novel Ziarah by Iwan Simatupang (1969). The concept of 'Thanatos and Eros' from Freudian psychoanalytic research is understood as the relationship between instincts in human behavior, which are described as conflicting settings, namely the death instinct and the life instinct. This research uses a qualitative description method and a content analysis method in the form of presenting data in the form of words and sentences taken from the novel Ziarah by Iwan Simatupang (1969) on the aspects of Thanatos (death instinct), eros (life instinct) and anxitas (anxiety). The research techniques used are literature review, note-taking, and data processing techniques. Thus, research into personality dynamics in the novel Ziarah by Iwan Simatupang obtained six data on Thanatos (death instinct), five data on eros (life instinct), and one data on anxitas (anxiety). Thanatos (death instinct) data emphasizes the death instinct in the form of aggression and suicidal actions in the Painter character, the Young and Old Operative character, and the Mayor character. The eros data (life instinct) emphasizes the sexual instinct in the painter's characters and the non-sexual instinct (lamentation poetry) in fulfilling physical needs such as feelings of hunger, thirst, work, and others. Anxiety data emphasizes the anxiety of death in the painter's character.</em></p> Titin Puji Rahayu, Moh. Atikurrahman, Jauharotin Alfin Copyright (c) 2024 Titin Puji Rahayu, Moh. Atikurrahman, Jauharotin Alfin https://creativecommons.org/licenses/by-sa/4.0 http://journal2.uad.ac.id/index.php/mimesis/article/view/7799 Wed, 31 Jan 2024 00:00:00 +0000 Semiotika Riffaterre dalam Puisi “Baju Baru” Karya Joko Pinurbo http://journal2.uad.ac.id/index.php/mimesis/article/view/8052 <table> <tbody> <tr> <td> <p><em>It is undeniable that poets often convey ideas with signs in the form of words, clauses, even sentences, thereby creating implicit or implicit messages. Studying a poem requires structural and semiotic analysis, because poetry is a structure of meaningful signs. Joko Pinurbo's poems contain many messages from deep anxiety. This study seeks to explain the meaning of related poetry according to Riffaterre's Semiotics theory. This research is a qualitative descriptive study. The material object in this research is a poem by Joko Pinurbo "Baju Baru".</em> <em>Meanwhile, the formal object is meaning based on language and literary conventions with Riffaterre's Semiotics theory which consists of heuristic readings, hermeneutic readings, as well as matrices, models and variants, hypograms. </em> <em>The results of the research through heuristic reading analysis found that fathers bought new clothes after payday because fathers' salaries increased. From the hermeneutic reading as a whole, the poem was created by the author as a form of outpouring of his heart as well as a form of criticism of the government for the phenomenon he is seeing, the increase in basic prices that afflict the lower class society, the matrix of the poem is a situation where basic needs soar, while workers' wages only increased slightly or even did not increase. The model of the poem is "gaji bapak" and "presiden". The variants consist of five variants. The first variant is "bapak gajian", the second variant is "reaksi si aku", the third variant is "perasaan presiden", the fourth variant is "kerusakan baju", the fifth variant is "keberadaan tukang becak dan presiden".</em></p> </td> </tr> </tbody> </table> Risen Dhawuh Abdullah Copyright (c) 2024 Risen Dhawuh Abdullah https://creativecommons.org/licenses/by-sa/4.0 http://journal2.uad.ac.id/index.php/mimesis/article/view/8052 Wed, 31 Jan 2024 00:00:00 +0000 The Effect of Using English on The Erosion of Indonesian as A Lingua Franca http://journal2.uad.ac.id/index.php/mimesis/article/view/9297 <table> <tbody> <tr> <td> <p><em>This research aims to determine the influence of the use of English as a language of daily communication on the erosion of Indonesian as a lingua franca, by considering various sociolinguistic and cultural factors. Indonesian is the national language used by Indonesian people to this day. However, the use of Indonesian seems to be starting to be eroded by the use of English which is recently frequently used, especially by teenagers. This raises growing concerns about its potential impact on the erosion of Indonesian, the lingua franca. This study involves the theory of extensive utilization of the English language in various fields and</em> <em>its current status as a global or international language. The method used in this research was descriptive qualitative. Qualitative data were collected through surveys, online forms, and focus group discussions with individuals representing different linguistic backgrounds and levels of English proficiency. The results of this research showed that 96.2% of respondents always use English as their daily language in communication. Apart from that, the use of English had an impact on the use of Indonesian when having a conversation. Researchers also found that even though respondents knew Indonesian as a lingua franca, in fact they used English more by 51.9%. Therefore, this research also seeks to provide input for language planning and language policy making which aims to maintain the national language and preserve the role of Indonesian as an important communication tool in Indonesian society. </em></p> </td> </tr> </tbody> </table> Dhino Christy Haumahu, Muhammad Rafiq Abyan, Raihan Bariq Alfarizi, Taufik Arochman Copyright (c) 2024 Dhino Christy Haumahu, Muhammad Rafiq Abyan, Raihan Bariq Alfarizi, Taufik Arochman https://creativecommons.org/licenses/by-sa/4.0 http://journal2.uad.ac.id/index.php/mimesis/article/view/9297 Wed, 31 Jan 2024 00:00:00 +0000 Representasi Budaya Bali pada Film A Perfect Fit: Analisis Semiotika Roland Barthes http://journal2.uad.ac.id/index.php/mimesis/article/view/9493 <p style="font-weight: 400;"><em>A film is a literary work in the form of moving images or videos that can be seen, heard, and shown to convey information or a message to the general public. Films have various ways of depicting various realities of life, including social realities related to daily life, politics, psychology, culture, and others. This research aims to examine films that represent the reality of life in Balinese culture, namely the film A Perfect Fit. The method used in this research is a qualitative descriptive method, with a study of Roland Barthes' semiotic analysis. Data collection techniques were carried out using reading and note-taking techniques. Based on the research results, there are eight pieces of Balinese culture in the film A Perfect Fit, namely Canang Sari, Melukat, Kecak Dance, Balinese Karawitan, Prayer, Traditional Balinese Wedding Clothing, Mepantigan or Mud Wrestling, and Lontar Reading. </em></p> Aidha Nur Utami Copyright (c) 2024 Aidha Nur Utami https://creativecommons.org/licenses/by-sa/4.0 http://journal2.uad.ac.id/index.php/mimesis/article/view/9493 Wed, 31 Jan 2024 00:00:00 +0000 In Absentia Data Bahasa dalam Kejahatan Berbahasa Putusan Mahkamah Agung: Kajian Linguistik Forensik http://journal2.uad.ac.id/index.php/mimesis/article/view/9579 <table style="font-weight: 400;" width="586"> <tbody> <tr> <td width="404"> <p><em>Violation of language norms committed by an individual can result in sanctions or punishment. The penalties imposed in cases of hate speech may include fines or imprisonment. In the case of Bahar bin Smith and Yulianus Paonganan, there were language violations, particularly in the form of insults, defamation, and tarnishing the reputation of President Joko Widodo. Bahar bin Smith was sentenced to six months and fifteen days, while Yulianus Paonganan was sentenced to one year of imprisonment. Interestingly, in the Supreme Court’s decision regarding Bahar bin Smith’s case, there is no information regarding language violations. This raises questions about how a punishment for language-related crimes can be decided without linguistic evidence. This research is descriptive and qualitative, using a semantic approach to identify forms of hate speech. The linguistic forensic research results highlight the forms, types, and grammatical meanings of hate speech. Furthermore, the research findings indicate that the Supreme Court, in issuing decisions, is not always professional, lacks transparency, and exhibits negligence and carelessness, as evidenced by the issuance of a verdict without linguistic violation evidence.</em></p> <table> <tbody> <tr> <td width="207"> </td> </tr> <tr> <td> </td> <td> </td> </tr> </tbody> </table> </td> </tr> </tbody> </table> Rahmat Hidayat, Sailal Arimi Copyright (c) 2024 Rahmat Hidayat, Sailal Arimi https://creativecommons.org/licenses/by-sa/4.0 http://journal2.uad.ac.id/index.php/mimesis/article/view/9579 Wed, 31 Jan 2024 00:00:00 +0000 Variasi Sebutan untuk Kucing dan Pemaknaannya dalam Akun Mention Confess (Menfess) @Kochengfs http://journal2.uad.ac.id/index.php/mimesis/article/view/9989 <p><em>Variations in the appellation of cat are created because cat is marked as something important for humans. One influential factor in the emergence of variations in the appellation is the existence of interaction spaces among cat lovers. One of them is menfess account @kochengfs. This research examines the various appellation for cat and their meanings in the menfess account @kochengfs. The purpose of this research is to describe the variation of appellation</em><em>s</em><em> for cat and their meanings in the menfess account @kochengfs. This research is included in the qualitative descriptive research. This research uses a semiotic approach with the trichotomous relation theory from Peirce. The data source of this research comes from the mention confess (menfess) account @kochengfs with a corpus of research data in the form of 1,758 tweets taken from 17–24 February 2023. Based on the analysis, there are 214 tweets containing 37 appellations for cat. The appellations are dominated by icon signifying with a total of 24 appellations, then symbols with 12 appellations, and index only 1 appellation. Appellations with icon signifying are based on (a) body shape; (b) body hair; (c) voice imitation; (d) fur color; (e) teeth shape; and (f) physical characteristic. </em></p> Lestari Puspitaningsih, Monalisa Monalisa Copyright (c) 2024 Lestari Puspitaningsih, Monalisa https://creativecommons.org/licenses/by-sa/4.0 http://journal2.uad.ac.id/index.php/mimesis/article/view/9989 Wed, 31 Jan 2024 00:00:00 +0000